Andy Warhol:
Picture "Volkswagen - Beetle - Lemon" (1985)
Proportional view
Picture "Volkswagen - Beetle - Lemon" (1985)
Andy Warhol:
Picture "Volkswagen - Beetle - Lemon" (1985)

Quick info

limited, 190 copies | numbered | signed | colour serigraph on museum board | framed | size 110.5 x 110.5 cm

Product no. IN-949831.R1
Picture "Volkswagen - Beetle - Lemon" (1985)
Andy Warhol: Picture "Volkswagen - Beetle - Lemon" (1985)

Detailed description

Picture "Volkswagen - Beetle - Lemon" (1985)

Andy Warhol's Volkswagen from the 1985 "Ads Series" features the famous advertisement from 1960, originally designed by advertising agency Doyle Dane Bernbach, which forever changed the way advertisements were created. This advertisement, which appealed to consumers while simultaneously presenting a perfect balance between image, text and simplicity, accomplished the seemingly impossible task of renewing Volkswagen after the era of the National Socialists.

Warhol's work pays homage to the brilliance of this "Lemon. Volkswagen advertisement", which shows the Beetle in bright grass green against a royal blue background. The text at the bottom stands out clearly, with its famous tagline "We pluck the lemons; you get the plums".

Like the Volkswagen company advertising its cars, Warhol's "Ad-Series" serves as a form of advertisement for Warhol's artwork, openly acknowledging the commercial nature of American society and urging consumers to continue buying iconic pictures that will forever suggest a new and exciting product to them.

Colour serigraph, 1985, edition of 190 copies on Lenox Museum board, numbered and signed. Catalogue raisonné FS II 358. motif size/sheet size 96.5 x 96.5 cm. Size in frame 110.5 x 110.5 cm as shown.

Producer: ARTES Kunsthandelsgesellschaft mbH, Bödekerstraße 13, 30161 Hannover, Deutschland E-Mail: info@kunsthaus-artes.de

Portrait of the artist Andy Warhol

About Andy Warhol

1928-1987

Andy Warhol was America's most famous artist. He was considered a revolutionary, eccentric and inventor of Pop Art, all at once. Art critics praise him with titles that have never been bestowed on any artist before - not even Pablo Picasso or Salvador Dali. Alfred Nemeczek comments: "They (the praises) ranged from "pop star" to "pop artist", elevated the "pop genius" to "pop prince" to "prince of pop" and further up to "pop king", "pop tsar" and "grand mogul". But the "Picasso of Pop-art" has also been baptised as "High Priest" and "Pope of Pop"." (Artists - Critical Encyclopedia of Contemporary Art)

Warhol was born in Pittsburgh in 1928 and died in New York in 1987. After high school, the son of Czech immigrants went to the Carnegie Institute of Technology in Pittsburgh as a working student. In 1949, he settled in New York and three years later he made his debut with his work at the Hugo Gallery. Until that time, he was working as a commercial artist for fashion magazines, designing Christmas cards, LP covers and weather maps for television. Shortly afterwards, however, the artist had the idea of placing everyday objects at the centre of his pictorial motifs. Using the medium of graphic art, he created coveted cult objects.

Some of his best-known works include the silkscreen paintings of the red and white Campbell soup cans and the two-dollar bill. With these works, Warhol radically broke with art tradition in the USA and England from the 1950s onwards and is considered one of the leading figures in the new art movement, called Pop Art.

Alongside Warhol, Roy Lichtenstein and Tom Wesselman are American representatives who looked for their pictorial themes in the world of advertising, comics and Hollywood superstars. Elvis Presley, Jackie Kennedy and Marilyn Monroe became icons in Warhol's pictorial repertoire.

Transforming everyday objects into works of art allows them to receive a certain level of attention that they never receive as things that are used over and over again. Warhol's way of photographically reproducing the object demanded that the object itself and nothing else must achieve an effect. The works in which he implemented repetitions of the same motif also require this, but they have an additional effect through the colourful rearrangements.

The artist sees the world as it is and represents it: "I am extraordinarily passive. I take things as they are. I just watch, I observe the world."

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