Christian Rohlfs:
Picture "Cat and Mouse" (1912/1913)
Proportional view
Picture "Cat and Mouse" (1912/1913)
Christian Rohlfs:
Picture "Cat and Mouse" (1912/1913)

Quick info

limited | signed | linoleum cut on paper | framed | size 31.5 x 53 cm

Product no. IN-951612.R1
Picture "Cat and Mouse" (1912/1913)
Christian Rohlfs: Picture "Cat and Mouse" (1912/1913)

Detailed description

Picture "Cat and Mouse" (1912/1913)

Accompanied by the thought of a cat-and-mouse game, the linocut "Cat and Mouse" by Christian Rohlfs quickly evokes a sense of movement: A cat is standing on its hind legs and jumping toward its prey, which is located on the left side of the image. The dynamic of the jump is emphasised by lines beneath the cat’s front body - a technique reminiscent of comic-style drawing. The cat is an important motif for the artist: It appears repeatedly in his prints or drawings on cardboard.

Two other examples of the linoleum cut are part of the collection of the Museum of Modern Art in New York. The uniqueness of this print on corrugated paper lies - unlike the other versions - in the material used: The ridges of the corrugated paper are coloured in stripes. The execution of the linoleum cut thus becomes a more abstract and extended form whose expressive quality develops into a powerful variant away from the mechanical printing process.

Linoleum cut on corrugated paper, 1912/1913. Edition: one of a few known prints, signed. Motif size/sheet size 18.7 x 40 cm. Size in frame 31.5 x 53 cm as shown.

Producer: ARTES Kunsthandelsgesellschaft mbH, Bödekerstraße 13, 30161 Hannover, Deutschland E-Mail: info@kunsthaus-artes.de

About Christian Rohlfs

1849-1938

The painter and graphic artist Christian Rohlfs was born in Niendorf in rural Holstein in the district of Segeberg in 1849. In 1864 he fell from a tree and injured his leg severely. The attending physician prescribed bed rest for the young Christian, and during his recovery, he passed the time with long drawing exercises. The boy's talent as a painter soon became apparent and was from then on also encouraged.

From 1870 Rohlfs studied at the renowned Grand Ducal Saxon School of Art in Weimar. Before he was appointed director of a painting school at the Folkwang Museum in Hagen by Karl Ernst Osthaus in 1901, he worked as a freelance artist in Weimar.

The painterly oeuvre of Christian Rohlfs is characterised by a wide variety of tendencies and influences and was always in a state of change. In his Weimar period, for example, the artist still followed the tradition of a classical landscape painter who was committed to realism and naturalistic academic painting. Before Rohlfs turned to the emerging but still ostracised Expressionism around 1906, he worked in a style oriented towards Impressionism and Neo-Impressionism in the years around the turn of the century. In 1911 he joined the artists' association of the "Berliner Secession", and from 1914, he was a member of the group of the "Freie Secession".

On the occasion of his 75th birthday, Rohlfs was honoured with a membership of the Prussian Academy of Arts in Berlin.

The artist died in 1938.

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