Karl Schmidt-Rottluff:
Picture "Tree and Haystacks at Lake Leba" (around 1940) (Unique piece)
New
Proportional view
Picture "Tree and Haystacks at Lake Leba" (around 1940) (Unique piece)
Karl Schmidt-Rottluff:
Picture "Tree and Haystacks at Lake Leba" (around 1940) (Unique piece)
New

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unique piece | signed | chalk drawing over ink | framed | size 46 x 59 cm

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Product no. IN-952306.R1
Picture "Tree and Haystacks at Lake Leba" (around 1940) (Unique piece)
Karl Schmidt-Rottluff: Picture "Tree and Haystacks at Lak...

Detailed description

Picture "Tree and Haystacks at Lake Leba" (around 1940) (Unique piece)

Between 1932 and 1943, the painter Schmidt-Rottluff spent the summer and autumn months at Lake Leba. He loved this landscape more than anything. Here, he found the quiet motifs that continually inspired him to reinterpret them in new ways. Even during the years of persecution and ostracism, he was able to continue his travels to Lake Leba, though his artistic expression was severely restricted.

Schmidt-Rottluff's works from this period, particularly the present coloured chalk drawing "Tree and Haystacks at Lake Leba," reflect his profound connection to nature and an expressive visual style. In his works, he captures the untamed beauty of this landscape with bold lines and a vibrant colour palette.

Coloured chalk drawing over ink, around 1940, signed. Motif size/sheet size 26 x 40 cm. Size in frame 46 x 59 cm as shown.

Producer: ARTES Kunsthandelsgesellschaft mbH, Bödekerstraße 13, 30161 Hannover, Deutschland E-Mail: info@kunsthaus-artes.de

About Karl Schmidt-Rottluff

1884-1976

He loved the seclusion of nature, the landscapes of the North Sea and the Baltic Sea, which became the place of creation and motif of Karl Schmidt-Rottluff's works. Along with Fritz Bleyl and Ernst Ludwig Kirchner, he was a co-founder of the artists' association "Die Brücke", which was founded in 1905. Around that time, he changed his surname by adding his native town of Rottluff.

When he moved to Berlin in 1911, he got inspired by the Futurist, Cubist and African styles of art, which later influenced his work. The artist suffered from the defamation of his art by the Nazi Party. In 1936 they banned him from exhibiting, which was followed five years later by a ban on painting. In a desperate state of mind, Schmidt-Rottluff returned to his hometown and accepted a professorship at the Hochschule für Bildende Künste in Berlin in the late 1940s. Through his teaching position, he found interest in working on large-format watercolours, which later became characteristic of his work.

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