Picture "Brushstroke" (1965)

Roy Lichtenstein shaped Pop Art like no one else except Andy Warhol. However, Lichtenstein painted by hand, using stencils only to transfer the characteristic halftone dots onto his canvases and objects. In essence, the perhaps most radical representative of Pop Art was actually a classical painter. Even in his youth, his artistic role models were none other than Picasso, Monet, and Mondrian. "Brushstroke" reflects Lichtenstein's approach and is basically a picture about painting. A gestural brushstroke sweeps across the dotted image surface, while paint splatters in the lower right corner suggest fresh paint. The fact that this work is part of an edition raises questions about the concepts of originality and reproduction, while also carrying a subtle sense of humour.

Original colour serigraph, 1965. 280 copies marked with Arabic numerals + 15 H.C. copies alphabetically inscribed (offered here: H.C. A) on handmade paper, signed. Catalogue raisonné Corlett II.5. size in frame with real white gold overlay and anti-reflective glass 64.5 x 79.5 cm as shown.

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About Roy Lichtenstein

1923-1997

The American Roy Lichtenstein left his mark on Pop Art as only Andy Warhol did. His are exhibited in all the major art metropolises of the world.

His distinctive artistic feature is dots, which he applies in combination with areas of colour. A technique that had initially been developed for industrial printing in order to save ink and costs. Unlike Warhol, who prints his art, Lichtenstein paints these dots by hand. Perhaps the most famous representative of Pop Art was actually a classical painter.

Lichtenstein was born in New York on 27 October 1923. The son of a real estate broker, already knew that he wanted to become an artist at an early age. So, he began painting as a teenager. His role models were none other than Pablo Picasso, Claude Monet and Piet Mondrian.
Lichtenstein discovered the world of comics at the beginning of the 1960s after he had initially adopted the American Abstract Expressionism style. As a Pop artist, he emphasised the clichéd nature of a motif that, despite the suggestive titles, did not arouse any emotion in the viewer. In the mid- to late-1950s, Pop Art replaced the abstract art movement. It made use of kitschy or banal everyday culture images as a counter-reaction to the art of the previous decades, which rejected everything representational.
Lichtenstein studied at the Art Students League of New York and Ohio State University. He soon found his typical style: rough grids and cut-outs from the banal world of consumerism, comics and advertising. In his pictures, he was aiming to show the mechanisms of action in this world. The enlargement and simplification of familiar objects were intended to stimulate a new way of seeing.
But not only comics with love scenes, war scenes and science fiction stories were his inspiration, but also well-known works of art such as Claude Monet's "Rouen Cathedral", Pablo Picasso's portraits of women or Piet Mondrian's abstract paintings. His late work deals intensively with Japanese culture.
The painter and graphic artist, who died on 29 September 1997, also experimented with sculpture, using mainly brass, glass and marble.

The German magazine FOCUS celebrated him as the king of Pop Art on the occasion of a large exhibition in the Munich Kunsthalle. Roy Lichtenstein, the Pop artist from the very start, is one of the most sought-after artists in the world. His exhibitions – e.g. at the Guggenheim Museum in New York – are attracting record numbers of visitors.

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The field of graphic arts, that includes artistic representations, which are reproduced by various printing techniques.

Printmaking techniques include woodcuts, copperplate engraving, etching, lithography, serigraphy, among others.

In the early 1950s, a movement took over the cultural scene. Young artists from the U.S. and the UK independently broke with all traditions of artistic creativity, giving rise to a new art movement in modern art.

In the U.S., Roy Lichtenstein, Andy Warhol, Tom Wesselmann, and James Rosenquist who were seeking their themes in the world of advertising and comics, in star cult and anonymous urban culture. With bright colours, over dimensioning and manipulating depth perspective, they created new provocative works. Richard Hamilton and Eduardo Paolozzi became pioneers of Pop Art in England through the famous "This is Tomorrow" at London's Whitechapel Art Gallery. In the 1960s, they were followed by David Hockney, Allan Jones, Peter Phillips and Derek Boshier.