Picture "Windmill (Angeln)" (1940) (Unique piece)

After the dissolution of Die Brücke, the depiction of nature and the human form in Heckel's work undergoes a transformation. He increasingly expands his artistic focus to include landscapes, cityscapes, and still lifes. Featured here is a windmill in Angeln, a peninsula on the Flensburg Fjord, where the artist spent his summers from 1919 to 1944.

The windmill, placed at the centre of the watercolour, is surrounded by a dynamic cloudscape, with trees and fields dominating the foreground. Erich Heckel’s deep connection to nature is masterfully expressed in this colourful watercolour.

Watercolour over pencil on paper, 1940, signed and dated. The authenticity of the work has been confirmed by Renate Ebner (Erich Heckel estate). Motif size/sheet size 50 x 69 cm. Size in frame 72 x 90 cm as shown.

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About Erich Heckel

Erich Heckel (1883-1970) is one of the most important artists of German Expressionism. In 1905, together with Ernst Ludwig Kirchner, Karl Schmidt-Rottluff and Fritz Bleyl, he founded the legendary artists' group "Die Brücke" in Dresden, which later Max Pechstein, Emil Nolde and Otto Mueller joined.

After World War I Heckel developed a new, cosmopolitan classicism that was accompanied by a more naturalistic approach and a brightening of the palette. In the 1920s, he produced numerous landscape works, including the unusually large charcoal drawing of the 'Westerholz Mill', which is still a popular touristic destination in Schleswig-Holstein.

Erich Heckel's works are represented in the world's leading museums and collections.

Painting with glazing watercolours, that are characterised by their transparency, which let deeper layers and painting surfaces shine through.

Often the paper surface is omitted. This contributes significantly to the effect of the work. The aquarelle or watercolour painting requires skilful use of colour, as it dries quickly and corrections are almost impossible.

A one-of-a-kind or unique piece is a work of art personally created by the artist. It exists only once due to the type of production (oil painting, watercolour, drawing, lost-wax sculpture etc.).

In addition to the classic unique pieces, there are also the so-called "serial unique pieces". They present a series of works with the same colour, motif and technique, manually prepared by the same artist. The serial unique pieces are rooted in "serial art", a genre of modern art that aims to create an aesthetic effect through series, repetitions, and variations of the same objects or themes or a system of constant and variable elements or principles.

The historical starting point is considered to be Claude Monet's "Les Meules" (1890/1891), where, for the first time, a series was created that went beyond a mere group of works. The other artists, who addressed to the serial art, include Claude Monet, Piet Mondrian and above all Gerhard Richter.