Tom Wesselmann:
Picture "Still Life with Lilies, Petunias and Fruit" (1988)
Proportional view
Picture "Still Life with Lilies, Petunias and Fruit" (1988)
Tom Wesselmann:
Picture "Still Life with Lilies, Petunias and Fruit" (1988)

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limited, 100 copies | numbered | signed | dated | colour screenprint on museum board | framed | size 151 x 192 cm

Product no. IN-950252.R1
Picture "Still Life with Lilies, Petunias and Fruit" (1988)
Tom Wesselmann: Picture "Still Life with Lilies, Petunias...

Detailed description

Picture "Still Life with Lilies, Petunias and Fruit" (1988)

The work "Still Life with Lilies, Petunias and Fruit" captivates with its vibrant colours. A luscious bowl of fruit is centrally placed on a table, surrounded by several bouquets of flowers. White spots and stripes on the top of the red apple and the two bananas reflect the light. There are only a few elaborate details - Wesselmann instead uses his signature vibrant colours to shape the forms.

The intense variety of the orange-coloured lilies testifies to the artist's remarkable talent in the use of colour. On the right-hand side, he has placed a second vase behind the first to give the composition an effect of depth.

Colour screenprint, 1988. 100 copies on museum cardboard, numbered, signed and dated. Motif size/sheet size 140 x 180.9 cm. Size in frame 151 x 192 cm as shown.

Producer: ARTES Kunsthandelsgesellschaft mbH, Bödekerstraße 13, 30161 Hannover, Deutschland E-Mail: info@kunsthaus-artes.de

About Tom Wesselmann

1931-2004

Along with Andy Warhol, Robert Rauschenberg and Roy Lichtenstein, Tom Wesselmann played a significant role in shaping the art history of the 20th century as one of the outstanding representatives of Pop Art.

Wesselmann's subject matter targets a central area of modern society: the world of the cult of sex and stardom, strikingly displayed through advertising and visual media. His works make creative use of the methods of advertising and illustrated magazines and draw attention to them.

He became known in 1961 with his female nude "Great American Nude", the title of which became the generic term for a series that caused horror among art critics and connoisseurs. In contrast to other artists of his genre, who deal with consumer goods ironically and critically, for Wesselmann, the aesthetic view is paramount. He stages his female nude models in elaborate interiors, in front of gathered curtains and plump fruit bowls. Wesselmann's strikingly erotic motifs are even more provocative due to the often faceless models, whose sexual characteristics are emphasised by tan lines, for example.

In his first nudes, Wesselmann's future wife, Claire, posed as his model. But, from the early 1980s onwards, it was Monica Serra, whom he had met at the opening of one of his exhibitions and who also became his assistant. Wesselmann's works from this period are comparable to the tradition of classical nude painting from Titian to Manet to Matisse and Picasso, which he quotes in some of his works.

Today, Tom Wesselmann is among the classics of modern art, whose independent style is characterised by the aesthetics of abstract expressionism within the motif framework of a striking pop theme.

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