Objects "Wall Installation (Coloured Lakes II)" (2024) (Unique piece)
Objects "Wall Installation (Coloured Lakes II)" (2024) (Unique piece)
Quick info
unique piece | signed | wood with interference varnish | size 120 x 50 x 10 cm (h/w/d)
Detailed description
Objects "Wall Installation (Coloured Lakes II)" (2024) (Unique piece)
7-part wooden wall object with interference varnish, 2024. signed. Height: 120 cm. Width: 50 cm. Depth: 10 cm.
Producer: ARTES Kunsthandelsgesellschaft mbH, Bödekerstraße 13, 30161 Hannover, Deutschland E-Mail: info@kunsthaus-artes.de
About Willi Siber
Born in 1949
Willi Siber completed his studies in sculpture at the State Academy of Fine Arts in Stuttgart in 1976 as a master student and is now a sought-after artist whose objects can be seen in galleries and museums worldwide.
The core of his entire artistic work is the examination of the fundamentals of sensual perception, optical and haptic perception, the experience of form, surface, matter and space.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures from wood, ivory or stone are made directly from the block of material, in bronze casting a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.
A one-of-a-kind or unique piece is a work of art that has been personally created by the artist. It exists only once due to the type of production (oil painting, watercolours, drawing, etc.).
In addition to the classic unique pieces, there exist the so-called "serial unique pieces". They present a series of works with the same colour, motif and technique, manually prepared by the same artist. The serial unique pieces are rooted in "serial art", a type of modern art, that aims to create an aesthetic effect through series, repetitions and variations of the same objects or themes or a system of constant and variable elements or principles.
In the history of arts, the starting point of this trend was the work "Les Meules" (1890/1891) by Claude Monet, in which for the first time a series was created that went beyond a mere group of works. The other artists, who addressed to the serial art, include Claude Monet, Piet Mondrian and above all Gerhard Richter.