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Jörg Immendorff:
Sculpture "Painters' Tribe" (2002), bronze
Sculpture "Painters' Tribe" (2002), bronze by Jörg Immendorff
Sculpture "Painters' Tribe" (2002), bronze by Jörg Immendorff
Jörg Immendorff:
Sculpture "Painters' Tribe" (2002), bronze

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limited, 9 copies | numbered | signed | bronze | height 32 cm

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Product no. IN-927099
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Sculpture "Painters' Tribe" (2002), bronze
Jörg Immendorff: Sculpture "Painters' Tribe" (2002), bronze
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Detailed description

Sculpture "Painters' Tribe" (2002), bronze

Bronze sculpture, 2002. Edition: 9 copies, numbered and stamped. Height: 32 cm

Producer: ARTES Kunsthandelsgesellschaft mbH, Bödekerstraße 13, 30161 Hannover, Deutschland, E-Mail: [email protected]

About Jörg Immendorff

1945-2007, German painter, graphic artist, sculptor

Jörg Immendorff, born in Bleckede, Germany, is one of the most important contemporary German artists with worldwide recognition.

In the 1970s he developed an emphatically object-related visual language with symbolic, art-historical and political allusions. "Every picture by Immendorff is a critical representation of a cultural-political situation," writes Lorand Hegyi about the artist. His pictures are today exhibited in the world’s most important museums.

Through his friendship with the painter A.R. Penck, who was still living in East Germany in 1976, the painter and sculptor Jörg Immendorff developed a history painting that reflects and critically examines the theme of German division. This year he began the series of sixteen large-format paintings "Café Deutschland". In this series, his striking and stylistically pluralistic painting style found expression in an inspiring way.

Immendorff's political ambitions already emerged during his training at the Düsseldorf Academy. One of his teachers was Josef Beuys, with whom he worked closely.

Immendorff founded the LIDL Academy and used LIDL as a pseudonym, which represented politically oriented art. He understood his politically engaged paintings as art that served the nation and the working people. He is the utopian among painters: "I am the only painter in the history of art who worked on a utopia that then became concrete" (German Reunification).

His sculptural style is characterised by an expressiveness comparable to that of the artists' community "Die Brücke". And again through his sculptures historical and social issues are forcefully traced.

His paintings and sculptures are presented to the interested art public in extensive exhibitions of important museums.

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An alloy of copper with other metals (especially with tin) used since ancient times. It is an ideal metal for high-quality artistic castings, capable of enduring for millennia.

When casting bronze, the artist usually applies the lost-wax technique which is dating back more than 5000 years. This is the best, but also the most complex method of producing sculptures.

First, the artist forms a model of their work. This model is embedded in a liquid silicone rubber mass. Once the material has solidified, the model is cut out, leaving a negative mould. Liquid wax is then poured into the negative mould. After cooling down, the wax cast is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, where the wax melts away (lost mould).

Finally, the negative mould is ready, into which the 1400° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken apart, reavoling the sculpture.

Next, the sprues are removed, the surfaces are polished, patinated and numbered by the artist or by a specialist, following their instructions. Thus, each casting is an original work.

For lower-quality bronze castings, the sand casting method is often used, which, however, does not achieve the results of a more elaborate lost-wax technique in terms of surface characteristics and quality.

A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.

While sculptures made of wood, ivory, or stone are carved directly from the material block, in bronze casting, a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.

The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.

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IN-927099 Sculpture "Painters' Tribe" (2002), bronze https://www.kunsthaus-artes.de/en/joerg-immendorff-sculpture-painters-tribe-2002-bronze-927099/ https://www.kunsthaus-artes.de/thumbnails/4c/8b/a5/1631178960/927099_1_320x320.jpg https://www.kunsthaus-artes.de/thumbnails/4c/8b/a5/1631178960/927099_1_320x320.jpg OutOfStock 14987.39 EUR 927099 00000000000000000000000999881245 Sculptures dark|black Statues|Animals 21th Century / Contemporary Sculptures Animals Bronze Animals|Statuettes Immendorff, Jörg Bronze Animals|Statues Sculptures Sculptures 21th century Bronze 21th century Animals Skulpturen Jörg Immendorff 0 0 0 0 schwarz|dunkel Immendorff, Jörg 0 0 1 0 0 0 0 1 2022-06-11 00:00:00 250 250 250 0 sold 1 /Pictures /Pictures/Recommendations /Pictures/Recommendations/ARTES Kunstberater empfehlen /Pictures/Recommendations/ARTES Kunstberater empfehlen/Maximilian Engelmann /LP /LP/Bronze ist mehr wert als Gold /LP/Bronze ist mehr wert als Gold/Bronze Gold 1 /LP/Bronze ist mehr wert als Gold/Bronze Gold 2 /LP/Bronze ist mehr wert als Gold/Das Geld hängt an der Wand /LP/Bronze ist mehr wert als Gold/Kunst die bleibt /LP/Bronze ist mehr wert als Gold/Das Geld hängt an der Wand 2 /LP/Neukunden Kunsthaus ARTES /Fine Art /Fine Art/Sculptures /Artists /Artists/Famous Artists /Sculptures /Sculptures/Genre /Sculptures/from 5,000 € /Sculptures/Genre/Animals /LP/Neukunden Kunsthaus ARTES/bronze ist mehr wert als gold 1 /Intern /Sculptures/All Sculptures /Intern/Produkte /Sculptures/Installation site /Sculptures/Installation site/Indoor /Sculptures/Materials /Artists/Detailseite (Produktlisting) /Sculptures/Genre/Statues /Sculptures/Materials/Bronze 019918b8e6e775e2bb1949c317ab8aac 019918f38da1721195df78873993a636 019a49624a6b7f108bf0e25db9f2a161 019a4963a5c07ada88e9261597e3b0f2 019a49646ea2780b81c2bb9ece243f6f 019a496496c771a6a02faab7cfd6d9e9 019a496565e370bcbd7c1635def86529 019a4966d65e72488e8e45943084a17f 0465fb57e33e490d853ac61dd5294237 183af1854bcc462e8347b7648338cec0 265d3bcf9dc94e578ff402649d334347 32f510c3309a4a56a0c5b5ce15958f32 519dfa627529447cabc609359ec4f578 52cfdd5a15274e6f82f0210950fc23a9 6666463a6f47429cb19b60c661fc946d 6d9c8b6d68a84fc6a8fc820182fb9e53 6f2e0ca50401440db4ae0a0a65a7c8d2 7f202502126a4b1da630bf3a2a226b99 8defb7ee6e444ec7906820111959ab83 91245478841c45ada0f85913feab2071 a02a85c8e9f44c629b1d09f0489d7785 a3541df2695a4e7585c07ecddf3e19fe ab52648409174fd195a7fe9d96e40fd1 ba5df50a87634a768b73a58e4500d816 ca4a7f80c9864e5c9f51c1aae55192e8 ced7447bade646a3840233485d550ccd db4f68f8aa5444e6a0f43deb43e6af68 de0c1749e3ae4355be6990d47dada9ef e374df10238e438793580fde25dbb9b1 e4e092a74f894e509b7cdaf1940119f0 ea938cc7620f4f038e71327b4e5e5ab0 a02a85c8e9f44c629b1d09f0489d7785 e374df10238e438793580fde25dbb9b1 265d3bcf9dc94e578ff402649d334347 019918b8e6e775e2bb1949c317ab8aac 6d9c8b6d68a84fc6a8fc820182fb9e53 019a49624a6b7f108bf0e25db9f2a161 ea938cc7620f4f038e71327b4e5e5ab0 519dfa627529447cabc609359ec4f578 de0c1749e3ae4355be6990d47dada9ef 52cfdd5a15274e6f82f0210950fc23a9 0465fb57e33e490d853ac61dd5294237 8defb7ee6e444ec7906820111959ab83 ced7447bade646a3840233485d550ccd ba5df50a87634a768b73a58e4500d816 Jörg Immendorff Bronze sculpture, 2002. Edition: 9 copies, numbered and stamped. Height: 32 cm 14987.39 limited, 9 copies | numbered | signed | bronze | height 32 cm