Picture "Lovers I." (1916)
Picture "Lovers I." (1916)
Quick info
limited, 60 copies | signed | etching on handmade paper | framed | size 42.5 x 49 cm
Detailed description
Picture "Lovers I." (1916)
Original etching, 1916. One of 60 copies of the Marees Gesellschaft edition on handmade paper, signed by hand. Sheet 4 of the portfolio "Gesichter". Catalogue raisonné Hofmaier 88/IIA. Size of motif 23 x 29 cm. Sheet size 30 x 37.5 cm. Size in frame 42.5 x 49 cm as shown.
Producer: ARTES Kunsthandelsgesellschaft mbH, Bödekerstraße 13, 30161 Hannover, Deutschland, E-Mail: [email protected]
About Max Beckmann
1884-1950
Max Beckmann, born in Leipzig, Germany, in 1884, seems like a solitary figure in the avant-garde of his time. While the emerging modern movement gradually led painting programmatically towards complete non-objectivity, Beckmann aligned himself with the art-historical tradition and consciously linked his art to the painting of the late 19th century.
A recurring motif in his works is the sea, which he once described in an interview as his "old friend". In his early works, he portrays it as a mysteriously vital space of existential experience, while during the National Socialism era, it transforms into a motif of freedom, departure, and escape.
In 1910, Beckmann was elected as a board member of the Berlin Secession, the youngest ever to achieve this status, and later his art was declared "degenerate" by the Nazi regime. Today, Beckmann is considered one of the most significant representatives of German Expressionism. His works are exhibited in many major modern art museums and sell for top prices at auctions.
The field of graphic arts, that includes artistic representations, which are reproduced by various printing techniques.
Printmaking techniques include woodcuts, copperplate engraving, etching, lithography, serigraphy, among others.
Depiction of typical scenes from daily life in painting, with distinctions between rural, bourgeois, and courtly genres.
The genre reached its peak and immense popularity in Dutch paintings of the 17th century. In the 18th century, especially in France, the courtly and gallant painting became prominent, while in Germany, a more bourgeois character developed.