Henri Matisse:
Picture "Tête voilée" (1950/51)
New
Proportional view
Picture "Tête voilée" (1950/51)
Henri Matisse:
Picture "Tête voilée" (1950/51)
New

Quick info

limited, 200 copies | numbered | signed | lithograph on wove paper | framed | size 58 x 48 cm

Product no. IN-947913.R1
Picture "Tête voilée" (1950/51)
Henri Matisse: Picture "Tête voilée" (1950/51)

Detailed description

Picture "Tête voilée" (1950/51)

Matisse's female profiles are particularly well-known and constitute an important part of his artistic oeuvre. Matisse portrayed women in various moods and expressions, often simplifying and stylising their forms.

The profiles are characterised by a harmonious combination of lines and shapes that radiate timeless beauty and elegance.

The portrait "Tête voilée" is a particularly successful example of this artistic form concept: Matisse presents a female face in a typically reduced manner - the lady seems to be gazing thoughtfully at the viewer.

Lithograph, 1950-1951. 200 copies on strong wove paper, numbered and signed. Catalogue raisonné Duthuit 641. Motif size 28 x 21 cm. Sheet size 50 x 38 cm. Size in frame 58 x 48 cm as shown.

Portrait of the artist Henri Matisse

About Henri Matisse

1869-1954

The co-founder of Fauvism is today considered one of the most important painters of the 20th century.

Matisse was born on New Year's Eve 1869 in Le Cateau-Cambrésis, France. He only discovered his artistic talent late in life. After studying law, Matisse worked in a law firm. His mother brought him art supplies during a period of convalescence following an attack of appendicitis, which forced him to stay in bed. And this is how he started to paint. He decided to give up on working in the law firm and began to study in Gustave Moreau's free painting class.

Initially, he orientated himself towards the Impressionists and studied Cézanne. Through Pointillism, which he became acquainted with through Paul Signac, he finally adopted a more two-dimensional brushstroke and started to use strong colours. The scandalous exhibition of 1905 at the Salon d'Automne in Paris, which Matisse took part in together with Derain, Vlaminck and others, gave these "wild animals" the name "Fauves".

Subsequently, Matisse increasingly dispensed with spatial illusion and concentrated particularly on primary colours and black. Ornamental patterns reflect his experiences with Islamic art, which he encountered on his trips to Morocco in 1911/12.

Movement and music are the themes that fascinated him repeatedly. Thus, the painting "Dance" from 1909/10 and the mural of the same name from 1930-33 are among his most important major works.

In the 1930s, Matisse discovered "papiers découpés" (eng.: papercutting), the art of paper designs, which prepared his later work as a stage and costume designer.

Before his death on 3 November 1954, he was able to complete his late work, the decoration of the Notre Dame du Rosaire chapel in Vence.

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