Picture "Pyramid" (1969) (Unique piece)
Picture "Pyramid" (1969) (Unique piece)
Quick info
unique piece | monogrammed | coloured pencil on paper | framed | size 26.5 x 30 cm
Detailed description
Picture "Pyramid" (1969) (Unique piece)
In the late 1960s, Roy Lichtenstein extensively explored the motif of the pyramid and created various versions of the subject in a wide range of media, such as screenprints, paintings, sculptures and drawings. One of these rare coloured pencil drawings can be exclusively offered to you here. The reduced, almost abstract composition of this unique piece is typical of Lichtenstein's work during this phase in his oeuvre. It seems that in his creative process, he was also influenced by the sobriety and clarity of the American Minimalism movement.
Coloured pencil on paper, 1969, monogrammed. Motif size/sheet size 10.2 x 15.2 cm. Size in frame 26.5 x 30 cm as shown.
About Roy Lichtenstein
1923-1997
The American Roy Lichtenstein left his mark on Pop Art as only Andy Warhol did. His are exhibited in all the major art metropolises of the world.
His distinctive artistic feature is dots, which he applies in combination with areas of colour. A technique that had initially been developed for industrial printing in order to save ink and costs. Unlike Warhol, who prints his art, Lichtenstein paints these dots by hand. Perhaps the most famous representative of Pop Art was actually a classical painter.
Lichtenstein was born in New York on 27 October 1923. The son of a real estate broker, already knew that he wanted to become an artist at an early age. So, he began painting as a teenager. His role models were none other than Pablo Picasso, Claude Monet and Piet Mondrian.
Lichtenstein discovered the world of comics at the beginning of the 1960s after he had initially adopted the American Abstract Expressionism style. As a Pop artist, he emphasised the clichéd nature of a motif that, despite the suggestive titles, did not arouse any emotion in the viewer. In the mid- to late-1950s, Pop Art replaced the abstract art movement. It made use of kitschy or banal everyday culture images as a counter-reaction to the art of the previous decades, which rejected everything representational.
Lichtenstein studied at the Art Students League of New York and Ohio State University. He soon found his typical style: rough grids and cut-outs from the banal world of consumerism, comics and advertising. In his pictures, he was aiming to show the mechanisms of action in this world. The enlargement and simplification of familiar objects were intended to stimulate a new way of seeing.
But not only comics with love scenes, war scenes and science fiction stories were his inspiration, but also well-known works of art such as Claude Monet's "Rouen Cathedral", Pablo Picasso's portraits of women or Piet Mondrian's abstract paintings. His late work deals intensively with Japanese culture.
The painter and graphic artist, who died on 29 September 1997, also experimented with sculpture, using mainly brass, glass and marble.
The German magazine FOCUS celebrated him as the king of Pop Art on the occasion of a large exhibition in the Munich Kunsthalle. Roy Lichtenstein, the Pop artist from the very start, is one of the most sought-after artists in the world. His exhibitions – e.g. at the Guggenheim Museum in New York – are attracting record numbers of visitors.
A one-of-a-kind or unique piece is a work of art that has been personally created by the artist. It exists only once due to the type of production (oil painting, watercolours, drawing, etc.).
In addition to the classic unique pieces, there exist the so-called "serial unique pieces". They present a series of works with the same colour, motif and technique, manually prepared by the same artist. The serial unique pieces are rooted in "serial art", a type of modern art, that aims to create an aesthetic effect through series, repetitions and variations of the same objects or themes or a system of constant and variable elements or principles.
In the history of arts, the starting point of this trend was the work "Les Meules" (1890/1891) by Claude Monet, in which for the first time a series was created that went beyond a mere group of works. The other artists, who addressed to the serial art, include Claude Monet, Piet Mondrian and above all Gerhard Richter.