Sculpture "Untitled (Cushion + Book) - Dark" (1969/2021), bronze

During a trip to Bhutan in 1968, Uecker came across the ritual of the monks there placing their prayer book under their heads instead of a pillow to sleep on.
A year later, this inspired him to create the work "Pillow Book", in which he used a large nail to nail a red pillow onto a book painted in red.

Based on this original, a bronze was created in 2021 in a small edition of 19 copies.

A quote from the artist shows the connection between the actions of the Tibetan monks and the artist's creation:
"To make visible the sequence of a movement, as a state of a vitality in which man participates in creative repetition, in monotony, is indeed an exciting action that can be experienced spiritually like a prayer."

Sculpture in bronze, 1969/2021. Edition: 19 copies numbered with Arabic numerals (offered here) + 6 copies numbered in Roman numerals, signed and dated by hand. Height: 48 cm. Width: 16.5 cm. Depth: 14.5 cm.

Producer: ARTES Kunsthandelsgesellschaft mbH, Bödekerstraße 13, 30161 Hannover, Deutschland E-Mail: info@kunsthaus-artes.de

About Günther Uecker

Günther Uecker was born in Wendorf, Germany in 1930 and is a German painter and object artist with an international reputation. He is best known for his relief-like nail art.

As early as 1957, Uecker created his nail works on white canvases, which were to become characteristic of his art from then on. He arranged the nails in symmetrical formations boards. Through the arrangement of the nails and the alternation of light and shadow, the nail reliefs achieve a dynamic effect. The white background gives the nails a dematerialising effect.

Read more Minimize

An alloy of copper with other metals (especially with tin) used since ancient times.

When casting bronze, the artist usually applies the lost-wax technique which is dating back more than 5000 years. It's the best, but also the most complex method of producing sculptures.

First, the artist forms a model of his sculpture. It is embedded in a liquid silicone rubber mass. Once the material has solidified, the model is cut out. The liquid wax is poured into the negative mould. After cooling down, the wax cast is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, whereby the wax flows out (lost mould).

Now we finally have the negative form, into which the 1400° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken off and the sculpture is revealed.

Now the sprues are removed, the surfaces are polished, patinated and numbered by the artist himself or, to his specifications, by a specialist. Thus, each casting becomes an original work.

For lower-quality bronze castings, the sand casting method is often used which, however, does not achieve the results of a more complex lost-wax technique in terms of surface characteristics and quality.

Contemporary art created from objects that are not normally considered materials from which art is made.

Object art was a means of expression of Cubism, Dadaism and Surrealism, and in the course of their development to the present day had spawned various presentation techniques.

A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.

While sculptures from wood, ivory or stone are made directly from the block of material, in bronze casting a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.

The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.

Recommendations