Lyonel Feininger:
Picture "Faraway River" (1950) (Unique piece)
Proportional view
Picture "Faraway River" (1950) (Unique piece)
Lyonel Feininger:
Picture "Faraway River" (1950) (Unique piece)

Quick info

unique piece | signed | dated | titled | mixed media on handmade paper | framed | size 54 x 70.5 cm

Product no. IN-946227.R1
Picture "Faraway River" (1950) (Unique piece)
Lyonel Feininger: Picture "Faraway River" (1950) (Unique...

Detailed description

Picture "Faraway River" (1950) (Unique piece)

A recurring theme in Feininger's work is maritime scenes. Even as a child in New York, he was fascinated by steamers and sailboats on the Hudson River, and during his annual stays on the Baltic Sea in Germany, he found inspiration for further motifs.

He knew the schooners, sloops, paddle steamers, galleons, fishing boats, and three-masters, whether with full sails or smoking chimneys, on the East River or later on the Baltic Sea, all by name. Feininger loved standing on the shore, captivated by the spectacle of passing ships. Few subjects fascinated the painter more than sailing ships and coastal landscapes.

In "Faraway River" from 1950, Feininger combines the abstract landscape, broken down into cubist planes, with doll-like figures.

Watercolour, India ink and chalk on handmade paper, 1950, signed and dated, titled on verso. With certificate from Achim Moeller, The Lyonel Feininger Project LLC. Motif size/sheet size 20.5 x 31.5 cm. Size in frame 54 x 70.5 cm as shown.

Porträt Lyonel Feiningers von Hugo Erfurth

About Lyonel Feininger


Lyonel Feininger is known for his depictions of streets, cities and ships, which are composed of prismatically broken forms and inspired by Cubism and the art of Robert Delaunay.

The painter and graphic artist was born in New York in 1871 as the son of German musicians. He first came to Germany at the age of 16 for a concert tour of his parents and stayed there to study at the Hamburg School of Applied Arts and later at the Royal Prussian Academy in Berlin. After a study visit to Paris, he continued living and working for many years in Germany, where he was close to the "Blauer Reiter" artists' group. Starting in 1919, he made his mark as a master for the graphic workshops of "Bauhaus" in Weimar, Dessau and Berlin.

Feininger, along with Schlemmer, most explicitly realised the Bauhaus ideal of order. For him, the starting point is not the human figure but architecture, the strict geometric structure of forms that he observed in Gothic churches. His studies of the architecture of small German towns established his light-flooded, prismatic style, which was to become a model for many artists.

Feininger first devoted himself to German townscapes and churches. During the National Socialist era, the Nazi Party officially declared Feininger’s work to be "degenerate", which forced him to return to New York in 1937. There he created his famous impressions of the architecture of Manhattan and New York.